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Movie review | Happiest Season (2020)

Jessie Nguyen

Happiest Season is the first film I've seen starring Kristen Stewart since Twilight and my silent protest against her. Well, at least, I do not hold any grudge against her after watching it.

Reproduced from Roger Elbert 2020

Harper and Abby visit Harper's home for the first time for Christmas in the film. Abby discovers along the way that her girlfriend has yet to come out to her parents, thus they have to pretend to be roommates instead.


We get a clear sense not only of how much Ted's political ambitions consume the family but also of how much Harper and her two sisters have grown up competing to be the golden child of parents who place an inordinate importance on appearances, thanks to the script's sharp eye for comedic character detail. Garber's self-absorbed Ted is brisk and businesslike, turning on the charm as needed, while Steenburgen's commanding Tipper tries hard to create the appearance of the placid perfectionist, only revealing her flaws when her plans go awry.

Reproduced from Lock Haven Express 2021

Beyond the Caldwells, the film openly mocks the gay best buddy stereotype by providing Abby with a close confidant in John (Dan Levy), who serves as her surrogate sibling and the film's voice of queer reason.


The script masterfully develops the friction that challenges Harper and Abby's relationship, and Davis strikes a delicate balance between neglecting her partner and fearing losing her family's love and respect. The plot revolves around her effort to come out of hiding, but Stewart's emotionally transparent Abby is the film's lyrical sweetheart. With a messy blond dye job and a wardrobe of effortlessly elegant suits and oversized sweaters, Stewart looks absolutely stunning. Her character's total conviction in the love she has with Harper, as well as the crushing hurt she feels when their relationship appears to be broken, has a charming innocence to it.

Reproduced from Netflix 2021

The supporting cast does excellent work. Brie and Holland are particularly amusing, while Steenburgen is a droll joy, and Plaza's deadpan delivery keeps you guessing about her character's motives.


SCORE: 4/5

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